Haris Kittos
recent projects (selections)
syneirmical (2024)
ballpoint pens on 12 paper sheets, 42x29.7cm each
(first-exhibited: Royal College of Art, London)
for the end of hopeful vows (2023-24)
video art
confessions, buried, embroidered (2022-24)
ballpoint pens on 12 paper sheets, 21x20.5cm each
schismatic (2023)
live music performance score for the multimedia and interdisciplinary #2 OpernCall by Novoflot
(premiere: Akademie der Künste, Berlin)
meditations on squares (2023)
frixion pens on 9 paper sheets, 29.7x29.7cm each
5 ways to move (2022-23)
live music performance score with video art projection
(premiere: Emsemble Nomad, Born Creative Festival,
Tokyo Metropolitan Theatre)
everything’s related (2022)
ballpoint pen on 12 paper sheets, 21x20.5cm each
Avarice (2000, re-mastered 2021)
sound tape, lights
(Japan Premiere: Born Creative Festival,
Tokyo Metropolitan Theatre)
red noises (2022)
brush pen on graph paper, 21x75cm
the HopBarn Residency (2021)
wool yarns installations on trees
(first exhibited: Living Landscape trail exhibition, Southwell)
soundscapes (2020-22)
marker pens on 25 pre-printed paper sheets, 21x29.7cm each
(first-exhibited: ‘Xenakis 100’ day,
Queen Elisabeth Hall Foyer, Southbank)
beloved (2021)
live music performance score with live electronics and
on-stage installation
(premiere: Petro Doronzo + Nicola Monopoli,
Auditorium Loaboratiorio Urbano GOS, Barletta)
recovery (2020-21)
frixion pens on 12 paper sheets, 42x29.7cm each
stRay (2020)
live music performance score for accordion player
(premiere: Ghenadie Rotari, ‘Quarantine Diaries’, live online)