top of page

click here for catalogue of works


Selected recordings

(click on titles to listen/watch)

5 ways to move - video (2022-23): Ensemble Nomad + Norio Sato, live rec.,

Tokyo Metropolitan Theatre, Born Creative Festival 2023

(permission by Ensemble Nomad and Norio Sato)

beloved - video (2020-21): Petro Doronzo, flute + Nicola Monopoli, eletronics,

Auditorium Loaboratiorio Urbano GOS, Barletta, 2021


stRay - video (2020): Ghenadie Rotari, 2020


Sitio (2019, organ): David Graham, live rec., St Michael's Cornhill, 2019

(permission by David Graham)


Athróa - video (2018, string orchestra): Kammerorchester Basel, Franck Ollu, 2019


Pauline - video (2017, accordion): Ghenadie Rotari, live rec., Risuonanze Festival, Udine, 2019

(permission by Ghenadie Rotari and Risuonanze Festival)


ADRIFT  - video extrtacts (2016, choir): Sing to Live, Live to Sing, video extracts, 2016


Dyades - video with score (2016, fl+b/cl+vln+vc): dissonArt, studio rec., 2017

(permission by dissonArt)


re-creations (2015, b/cl+db): Alberto Santamaria, Alexandre Klein, live rec., RCM, 2015

(permission by the performers)


Ètude (2014, piano): Lenio Liatsou, 2017

(permission by Lenio Liatsou)


Aenaa (2013, sax qtet): Fukio Saxophone Quartet, live rec., St Gabriel's Church, 2013

(permission by Fukio Ensemble)


Boxtreat (2013, fl+vln): dissonArt, live rec., Villa Kapantzi, Thessaloniki, 2013

(permission by dissonArt)


Hectic (2013, voice+rec): UMS 'n JIP, live rec., Kunstraum Walcheturm, Zürich, 2013

(permission by UMS 'n JIP)


Intermezzo (2012, 2 b/cl+2vc): Variable Geometry, live rec., RCM, 2012

(permission by Variable Geometry)


Dancechase - video (2011, pno quintet): Mikrokosmos, live rec., Contemporanea 2016

(permission by Mikrokosmos)


Omadón (2011, ob+str trio): Ensemble Exposé, live rec., Purcell Room, Southbank, 2011

(permission by Ensemble Exposé)


Aberrant Growth -video (2010, pno sextet): Ensemble Exposé, live rec., Warehouse, 2010

(permission by Ensemble Exposé and Migrant Sound)


Organic Duo (2009, cl+pno): Glendower Duo, studio rec., 2010

(permission by Glendower Duo)


Òrthros (2004, voice+pno): Jane Manning OBE, Zoe Zeniodi, studio rec., 2005

(permission by the performers)


Àtropo (2001, pno): Sarah Nicolls, live rec., Purcell Room, Southbank, 2002

(permission by Sarah Niccols)


Eisodion (2001, vln): James Widden, studio rec., 2002

(permission by James Widden)


Arthròs (2001, pno): Aleksander Szram, studio rec., 2005

(permission by Aleksander Szram)


Achranteia (2000, str qtet): Arditti Quartet, live rec., Purcell Room, Southbank, 2002

(permission by Irvine Arditti)

Haris Kittos

Music making involves collaboration, painstaking technical work and production, with inspiration and meditative approach playing essential role in keeping a dynamic balance between the Apollonian and the Dionysian: the intellectual-conceptual and the emotional-visceral. So there is often a similar feeling between writing the pieces of music shown here and the making of visual artworks, as every moment in the creative process and every detail can be important, precious. Especially with live music performance, even the same action can never be repeated exactly the same: sound and its ephemeral experience is unavoidably different every time, it is unique. With this in mind, avoidance of deliberate pre-planning and overthinking into the making allows no forceful will or ego being imposed on the work. Just by observing, listening and following what each piece 'needs', the process can become organic, where the work 'reveals' itself gradually as it comes to existence.

bottom of page