Haris Kittos

List of selected works, with premieres (click on underlined titles to view score extracts)

Contact for full copies of scores

ADRIFT (2016), walking choir – installation. 30-45 mins.
Composed with Lillie Harris and Dan McBride.
Commissioned by Fruit for the Apocalypse.
First performed: 20 June 2016, ‘Sing for Live, Live to Sing’ Community Choir,
South Kensington Underground Station tunnel, InTransit Festival, Refugee Week, V&A.

Dyades (2016), flute, bass clarinet, violin, cello. 9 mins.
Written for dissonArt.
First performed: 29 April 2016, L’Auditori, Mixtur Festival 2016, Barcelona

Fauve (2015), cello & 3 kotos. 7 mins.
Written for the 21st Century Japanese Music Project (Honorable Mention)

re-creations, re-composed (2015), bass clarinet & double bass. 10 mins
Written for Alexandre Klein.
First performed: Alberto Santamaria, Alexandre Klein, 2 June 2015, East Parry Room,
RCM, London

Ètude (2014), solo piano. 4 mins.
Written for Lenio Liatsou.
First performed: 21 Novemebr 2015, Macedonian Museum of Contemporary Art,
Thessaloniki Piano Festival 2015, Thessaloniki

Aenaa (2013-14), saxophone quartet
2 versions: 2 altos & 2 baritones. 10 ½ mins. 2 sopranos & 2 tenors. 12 mins.
Written for Fukio Ensemble and re:sound collective.
First performed: version 1: echo # 3, 22 November 2013, St Gabriel’s Church, London.
Version 2: 4 June 2014, Konzertsaal HfMT Köln (Wuppertal)

Alexander (2013-14), Theatre music: 3 songs for actors and ensemble. 15 mins.
Commissioned by SplitMoon Theatre.
Workshopped and first performed: 11-13 March 2014, Jerwood Space, London

Boxtreat (2013), flute & violin, 30 seconds.
Written for the Collaborative Miniature Project by dissonArt.
First performed: 19 October 2013,
Villa Kapantzi, Thessaloniki

Hectic (2012-13), male voice & recorder, with electronics. 12 mins.
Commissioned by UMS 'n JIP, for the Greece Project.
First performed: 23 February 2013, Solon Michailidis Hall, Thessaloniki

Intermezzo (2012), 2 bass-clarinets & 2 cellos. 7 mins.
  Written for Variable Geometry.
First performed: 18 May 2012, Amaryllis Fleming Concert Hall, RCM, London.
  Conductor: Jean Phillipe Calvin

Dancechase (2011, rev.2012), quintet (fl, b/cl, pno, vln, vc). 8 mins.
  Written for dissonArt.
First performed: 24 August 2011, Music Village, St. Laurentios, Pelion
  Conductor: Beat Furrer

Omadón (2010-11), oboe & string trio. 7 mins.
  Commisioned by Britten Pears Foundation for the Xenakis International Symposium 2011
  First performed: Ensemble Exposé, 3 April 2011, Purcell Room, Southbank, London

Ermaïkó (2010), solo guitar. 10 mins.
  Commissioned by SAM and Milos Karadaglic.
First performed: 6 July 2010, Cheltenham Festival

Aberrant Growth (2009-10), sextet (fl, cl, perc, pno, vln, db). 9 ½ mins.
  Commissioned by Migrant Sound.
First performed: Ensemble Exposé, Roger Redgate, 27 May 2010, The Warehouse, London

Organic Duo (2009), clarinet & piano. 7 ½ mins.
  Commissioned by Glendower Duo.
First performed: 13 January 2010, Purcell Room, PLG Series, Southbank, London

Toy Escape (2008), clarinet quartet. 5 mins.
  Commissioned by Clariphonics.
First performed: 7 January 2009, Purcell Room, PLG Series, Southbank, London

Wonderoom (2007-09), ensemble (cl, sax, bsn, tpt, tbne, 2 perc, hp, vln, vla, vc). 15 mins.
  Written for London Sinfonietta for Blue Touch Paper Scheme
(funded by Calouste Gulbenkian Foundation)

Altamira’s Book: Hinterlandways I (2006-08), string quartet. 12 ½ mins.
  First performed: Delphinia Quartet, 4 May 2008, RCM, London

Pulsing Touches (2006), string quartet. 5 mins.
‘For Daryl Runswick’s 60th birthday’
  First performed: Smith Quartet, 22 October 2006, Almeida Theatre, London

Another Air (2006), amplified cello & live electronics. 5 mins.
  Commissioned by Nick Allen.
First performed: 26 April 2006, Vestry Hall, London

Vessel Tales (2005-2007), 4 movements, piano & orchestra. 22 mins.
‘In memory of Susan Bradshaw’
  First performed: Jianing Kong, RCM Sinfonietta, Robin O’Neil, 6 December 2007,
Amaryllis Fleming Concert Hall, RCM, London

Òrthros (2004), soprano & piano. 8 mins.
  Written for Jane Manning OBE and Eleni Liatsou.
First performed: 16 November 2004, Telogleio Institute, Thessaloniki

• Alice’s Alices (2004), amplified oboe. 7 mins.
  Written for Paul Goodey.
First performed: 9 August 2004, Dartington International Festival

A Sniff of the Real Me, revised version (2004), soprano & sine wave. 7 mins.
  First performed: Jaqueline Barron, London Sinfonietta, 6 May 2004, Pasidy Hall, Nicosia

Recreation (2002), octet for any instrumentation. 10 mins.
  Commissioned by COMA.
First performed: COMA Summer School Orchestra, Simon Foxley, 26 July 2002,
New Theatre, Bretton Hall, Yorkshire

Àtropo, revised version (2002), piano. 5 ½ mins.
  First performed: Sarah Nicolls, 28 April 2002, Purcell Room, Southbank, London

Àtropo (2001-2002), cello with BACH.boggen. 6 mins.
  Written for Nick Veliotis.
First performed: 1 April 2002, Theseion Room, Athens

Ecce Homo (2001), bass clarinet & large ensemble. 14 mins.
  Written for Gareth Davis.
First performed: Gareth Davis, Guildhall New Music Ensemble, Sye Mishler,
  26 September 2001, GSMD Music Hall, London

Eisodion (2001), violin. 13 mins.
  Written for James Widden.
First performed: 6 June 2001, Bantock Room, TCM, London

Arthròs (2001), piano. 11 mins.
  Written for Rolf Hind.
First performed: Aleksander Szram, 11 June 2002, Peacock Room, TCM, London

Realisations, 3-song cycle (2001), baritone & piano. 15 mins
  First performed: David Lawrence, Nigel Foster, 4 July 2001, GSMD Music Hall, London

Pròsforo (2001, rev. 2011), violin. 4 mins.
  Written for Layla Benjamin.
First performed: 27 June 2001, Regent Hall, London

Aberrant Confection, Dance music (2001), alto saxophone, percussion & harp. 7 ½ mins.
  First performed, in collaboration with London Contemporary Dance School:
  Max Wild Trio, choreography: Sarah Cameron, 21 March 2001, The Place, London

Achranteia (2000), string quartet. 8 ½ mins.
  First performed: Arditti Quartet, 22 April 2001, Purcell Room, The Southbank, London

Min/re-pq (2000), piano & strings quartet. 2 mins.
  First performed: Sundial Piano Quartet, 5 October 2000, Wigmore Hall, London

Priam’s Night-Journey (2000), voice (mezzo), clarinets, violin, cello & piano. 23 mins.
  First performed: Sandra Nakhosteen, Benjie del Rosario, Sarah Crisp, Laura Moody,
Aleksander Szram, David McQueen (cond.), 25 January 2001, Hinde St Church, London

Mystis (2000), piano quartet (strings). 6 mins.
  First performed: Vicentic Piano Quartet, 24 March 2000, Barbirolli Lecture Hall,
TCM, London

Askòs (2000), string quartet. 8 ½ mins.
  First performed: LSO Players (Lennie Mackenzie, David Alberman, Liz Varlow,
Jennie Brown), 27 February 2000, Barbican Hall, London

Prooimion (2000, rev. 2001), clarinet. 11 mins.
  Written for Gareth Davis.
First performed: 10 April 2000, Chiesa Cristiana Evangelina Battista, Rome

Penthesileia (1999), large ensemble. 11 mins.
  First performed: TCM Contemporary Music Group, Daryl Runswick, 17 February 2000,
  Hinde St Church, London

Re-creations (1999), bass clarinet & double bass. 14 mins.
  First performed: Gareth Davis, Jonathan Moss, 16 March 2000, BMIC, London

Avarice (1999), tape. 5 mins.
  First performed: 24 June 1999, Trinity Hall, Cambridge

Second Tomb of Ionia (1999), viola & piano. 10 mins.
  First performed: Jordi Nabona, Sue Donahoe, 26 May 1999, Hinde St Church, London

First Tomb of Ionia (1999), flute, violin, percussion & piano. 15 mins.
  First performed: Szram Quartet, 2 December 1999, Hinde St Church, London

Sistina (1999), organ. 6 mins.
  First performed: Nicholas O’Neil, 17 May 1999, Hinde St Church, London

Piece for String Quartet (1997), string quartet. 7 mins.
  First performed: Solaris Quartet, 16 June 1999, Christ Church,
Spitalfields Festival, London

Three Pieces after a Rothko’s Exhibition (1997), piano. 12 mins.
  First performed: Haris Kittos, 20 February 1998, Thermaikos Center, Thessaloniki

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