Haris Kittos

Selected recordings and videos

(click on titles)

Athróa - video (2018, string orchestra): Kammerorchester Basel, Franck Ollu, 2019
(permission by BCC)

Pauline (2017, accordion): Ghenadie Rotari, live rec., Risuonanze Festival, Udine, 2019

ADRIFT (2016, choir): Sing to Live, Live to Sing, video extracts, 2016

Dyades (2016, fl+b/cl+vln+vc): dissonArt, live rec., L'Auditori, Barcelona, 2016
(permission by dissonArt)

re-creations (2015, b/cl+db): Alberto Santamaria, Alexandre Klein, live rec., RCM, 2015
(permission by the performers)

Ètude (2014, piano): Lenio Liatsou, home rec., 2017
(permission by Lenio Liatsou)

Aenaa (2013, sax qtet): Fukio Ensemble, live rec., St Gabriel's Church, 2013
(permission by Fukio Ensemble)

Boxtreat (2013, fl+vln): dissonArt, live rec., Villa Kapantzi, Thessaloniki, 2013
(permission by dissonArt)

Hectic (2013, voice+rec): UMS 'n JIP, live rec., Kunstraum Walcheturm, Zürich, 2013
(permission by UMS 'n JIP)

Intermezzo (2012, 2 b/cl+2vc): Variable Geometry, live rec., RCM, 2012
(permission by Variable Geometry)

Dancechase (2011, pno quintet): ExplorEnsemble, live rec., RCM, 2013
(permission by ExplorEnsemble)
Spotify - live recording by Mikrokosmos

Omadón (2011, ob+str trio): Ensemble Exposé, live rec., Purcell Room, Southbank, 2011
(permission by Ensemble Exposé)

Aberrant Growth (2010, pno sextet): Ensemble Exposé, live rec., Warehouse, 2010
video - YouTube
(permission by Ensemble Exposé and Migrant Sound)

Organic Duo (2009, cl+pno): Glendower Duo, studio rec., 2010
(permission by Glendower Duo)

Òrthros (2004, voice+pno): Jane Manning OBE, Zoe Zeniodi, studio rec., 2005
(permission by the performers)

Àtropo (2001, pno): Sarah Nicolls, live rec., Purcell Room, Southbank, 2002
(permission by Sarah Niccols)

Eisodion (2001, vln): James Widden, studio rec., 2002
(permission by James Widden)

Arthròs (2001, pno): Aleksander Szram, studio rec., 2005
(permission by Aleksander Szram)

Achranteia (2000, str qtet): Arditti Quartet, live rec., Purcell Room, Southbank, 2002
(permission by Irvine Arditti)

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